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  1. Aug 17, 2016 · A shot from the opening sequence for the 1964 film, ‘Goldfinger.’ Back in 1961 visual artist Maurice Binder (who got his start creating department store ads for retail giant Macy’s) presented an idea to Harry Saltzman and Albert Broccoli that would become an intrinsic part of their James Bond movie franchise—the famous title sequence that featured naked girls, guns and of course Mr ...

  2. Nov 19, 2012 · This included the barrel gun sequence created by film title designer Maurice Binder, who used a pinhole camera to create the detailed definition. After a shot is fired, the screen drips red, the ...

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  3. Jul 29, 2002 · But for me the most invaluable Bond Beatle is Maurice Binder, who designed the title sequence for the first Bond film, 1962's "Dr. No." He went on to design (after leaving the credits for "From ...

  4. Dec 18, 2012 · Maurice Binder returned to the franchise in 1965 to direct the titles to Thunderball, which featured several sequence firsts: the use of optical compositing techniques, in which elements filmed separately are combined by layering the negatives together, and the use of kinetic typography, with the title cards rippling on and off, and – because it would happen eventually – the first ...

  5. Aug 23, 2016 · There is an excellent article about the opening title sequences in James Bond film here - Telegraph Article Link. To summarize: For the original Dr No. film, Maurice Binder, an art director at Macy's, had just received some good response to his first film title work for "The Grass Is Greener," and got a call from producers Salzman and Broccoli.

  6. Apr 14, 1991 · Maurice Binder, 72, who designed the innovative, erotic title sequences for James Bond films. The New York native began his career designing advertisements and catalogues for Macy’s department ...

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  8. May 9, 2023 · The first Bond movie made after Maurice Binder – the franchise’s opening credits director since 1965’s Thunderball – GoldenEye presented a passing of the baton, with Daniel Kleinman taking ...

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