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La dolce vita marks the first collaboration between Fellini and Mastroianni. On November 4, 1977 in an interview on The Dick Cavett Show , Mastroianni recalled their first encounter. According to Mastroianni, Fellini told him that the producer wanted Paul Newman for the lead role, but that Fellini considered Newman too beautiful, while Mastroianni was "the face of normal."
Jan 30, 2016 · And indeed there are few films that managed to achieve such timelessness as much as Federico Fellini’s La Dolce Vita (1960). La Dolce Vita has been praised as one of the highest moment in the history of Italian filmmaking, as much as a turning point in Fellini’s career. It is the start of Fellini’s departure from his early neo-realistic ...
Apr 4, 2010 · Coming as it did at the end of the 1950s, La dolce vita is a film that sums up the excesses and follies of that decade, and also gestures toward the onrushing 1960s. With La dolce vita, Fellini ended his first great decade as a filmmaker. Perhaps significantly, Fellini’s next feature film, 8½ (Otto e mezzo, 1963), dealt with creative block ...
Apr 20, 2022 · La dolce vita literally means ‘the sweet life’, evoking the notion of living life to its fullest, however that may look for you. The famous 1960 film, La Dolce Vita, directed and co-written by…
- Introduction
- The Film
- The Film Star
- Steiner
- Emma
- Conclusion
La Dolce Vita has often been considered one of Fellini’s weaker films, interesting but flawed, with this assessment especially true when it is contrasted with other of his works such as Otto e Mezzo and La Strada (which both received, and continue to receive, greater critical plaudits). Halliwell describes it as an ‘episodic satirical melodrama, a ...
While many critics, (misled?) led on perhaps by the film’s title (La Dolce Vita means ‘The Sweet Life’), have focused on the film’s portrayal of a glamorous and corrupt Roman society, the central character, and true subject, of the film is the gossip columnist Marcello (played by the eponymous Marcello Mastroianni). La Dolce Vita is an episodic wor...
The next section of the film involves the arrival of the actress Sylvia Rank played by Anita Ekberg. As a film star -and a blonde haired, large-breasted American one- she is the centre of a Roman media frenzy, and thus in this section the media has a central role. The section begins with a swarm of photographers descending on her plane as it arrive...
Steiner is the most tragic character in the film. To Marcello he represents and offers the intellectual life away from his sordid journalism. He appears at three separate points in the film. First, Marcello accidentally meets him in a church in a section which occurs immediately after the end of the episode discussed above. Secondly, when he hosts ...
As Marcello’s girlfriend, Emma plays a central role in the film, and despite their difficulties they are still together at its end. Their relationship is heavily weighted towards Marcello. While he seems independent of and doubtful of the relationship, it dominates her life. Her major demand throughout the film is for Marcello to love her and she c...
A great piece of cinema manages to communicate some sense of life itself. Of what it feels like to live and remember. As the party ends and the guests drift away from the beach, we look into the girl’s smile, a perfect wistful ending to this elegiac, unkempt odyssey of a film. Drowned out by the sea Marcello is incapable of talking to her and stumb...
Aug 13, 2011 · The Montesi scandal may well have inspired Fellini’s film La Dolce Vita, but it is difficult to go along with Stephen Gundle’s grander claim for it — that it played a critical role in Italy ...
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La Dolce Vita is a film about a life of excess and the life of someone who is devoid of meaning. The film is also about redemption, fame, pleasure, love, lust, and the power of love and lust. Fundamentally, though, the film is about myth and how and why society moves from old myths to new myths—and how those myths are created.
