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Sep 15, 2016 · ‘La Notte’ In Italian with English subtitles. Not rated. Running time: 2 hours, 2 minutes ... Only good movies. Get the Indie Focus newsletter, Mark Olsen's weekly guide to the world of cinema.
Jan 20, 2021 · La notte (1961) The rain arrives briefly and seems to wash inhibition away for a time. Water falls onto patios and into a swimming pool. It fills the silence for a moment. It’s no wonder Lidia walked earlier. It’s all that’s left to do. When the party’s over and the night is leaving, Lidia and Giovanni wander again.
Directed by: Michelangelo Antonioni. Written by: Michelangelo Antonioni, Ennio Flaiano, Tonino Guerra. TSPDT: 231. 122 minutes. There are moments in La Notte that are beautiful but overall I would rather watch a Fellini movie, someone I felt that tackled similar subjects but in a style that is more interesting for me personally.
Sep 9, 2016 · Review: La Notte. It remains at once the most bracingly concrete and amorously diffuse of Antonioni’s films. For all the discussion over the decades of Michelangelo Antonioni’s high-minded, abstractionist tendencies, he is, in many of the same ways, one of the most literal of filmmakers. His most celebrated succession of work, a trio of ...
Oct 30, 2013 · La notte ‘s diminished standing as the most neglected and least appreciated of the three films in Michelangelo Antonioni’s early 1960s “alienation trilogy” can at least partly be traced to its lack of availability for quite a few years. The old Fox Lorber DVD issued in May of 2001 has been out of print for several years, leading to a ...
La Notte ([la ˈnɔtte]; English: "The Night") is a 1961 drama film co-written and directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti. Filmed on location in Milan , the film depicts a single day and night in the lives of a disillusioned novelist (Mastroianni) and his alienated wife (Moreau) as they move through various social circles.
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Feb 19, 2022 · In La Notte, Lidia is the perpetual observer, and we the observers of the observer. This escalates with the film’s second half, in which Giovanni and Lidia attend a vast villa party with their ...
