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Daniel Spoerri is a Swiss artist famous for his signature “snare-pictures.”. These assemblages of objects—most often the remains of a meal—are fixed to a table or board and displayed on a wall, thereby making the horizontal vertical. He was born on March 27, 1930, in Galati, Romania, and his mother and siblings emigrated to Switzerland ...
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Aug 15, 2016 · My friends [Karl] Gerstner and [Paul] Talman were making ultra-geometric concrete art, with plastic.’ 47 Elements of this modernist language appear in various guises in L'Optique Moderne. One of the most obvious is the pair of metal goggles labelled by Spoerri and Dufrêne as ‘Snow glasses’ (see plate 10 ).
Spoerri organizes the exhibition “Bewogen Beweging” at the Stedelijk Museum in Amsterdam. The snare picture “Petit déjeuner de Kichka” is shown at the Museum of Modern Art (MoMA), in New York in the exhibition “The Art of Assemblage” and purchased. Friendship with Karl Gerstner. 1962
Following his original activity in dance and theatre, Daniel Spoerri has focused intensively on visual art – or, as the artist himself prefers to say, he is “metteur en scène d'objets” – occupied with the arrangement of objects since 1960. In 1960, his first Tableaux Piège (Trap-Pictures) appeared. It was his friendship with Jean ...
Daniel Spoerri (born 27 March 1930) is a Swiss artist and writer born in Romania. Spoerri is best known for his "snare-pictures," a type of assemblage or object art, in which he captures a group of objects, such as the remains of meals eaten by individuals, including the plates, silverware and glasses, all of which are fixed to the table or board, which is then displayed on a wall.
Feb 15, 2019 · The term “artistic animator” is inspired by the definition “Kunstanimator” given to Spoerri by his longstanding friend Karl Gerstner during an interview with Katerina Vatsella in 1995. Wherever he went, Spoerri was capable of inspiring others to make art, and at the same time he absorbed, interiorized and transformed ideas from others.
Cecilia Novero, University of Otago, New Zealand. "The Ideas, Identity and Art of Daniel Spoerri offers Anglophone readers fresh insights into the genesis of Spoerri's important work and illuminates fascinating intellectual exchanges between artists, curators, and other key figures in the European art world from the late 1950s to the present.
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